The Sanremo Festival, a prominent annual music event in Italy, is facing low expectations this year as many observers express doubts about its ability to deliver an engaging program. Despite efforts to reinvent the line-up of singers and guests, there exists a pervasive sense of skepticism regarding whether the festival can truly captivate its audience. The long-standing host, Carlo Conti, who is known for his minimalist approach, finds himself entangled in absurd pre-festival controversies that have further dampened enthusiasm.

Moreover, the article reflects on the pivotal role that the Sanremo Festival plays in Italy’s music landscape, serving not only as a competition but also as a cultural touchstone. This year's lackluster anticipation speaks volumes about the current state of Italian music and perhaps highlights a need for innovative approaches to attract viewers and reinvigorate interest in the festival. Sources of contention and criticism from previous years linger, suggesting that organizers may need to confront broader issues within the music industry.

Ultimately, as the festival kicks off tonight, the only way it seems possible to go is up, as the audience and critics alike hope for improvements. The retrospective considerations regarding its format and the overall ambiance emphasize the festival's significance and the underlying desire for it to succeed even amid prevailing doubts.