Albert Sánchez Piñol's recent work, 'Després del naufragi', serves as a sequel to 'Moby Dick', positioning its protagonists, Jon Quer and Karl van der Berg, as representations of political figures Oriol Junqueras and Carles Puigdemont from Catalonia. The novel's narrative engages with deeper themes surrounding the absurdity and complexities of the current sociopolitical climate in Spain, particularly in relation to Catalonia's ongoing independence struggle. Piñol describes the emotional weight of his readings, indicating a blend of humor and discomfort that resonates with contemporary concerns about identity and nationhood.

In a candid interview set in the challenging landscapes of Moianès, Piñol reflects on his past ten years spent in relative seclusion from Barcelona, which he characterizes as having “bad air.” This retreat has allowed him to delve into anthropological themes within his writing while simultaneously critiquing societal developments that evoke a sense of monstrousness within the nation. His work, particularly in this latest novel, reinforces the ongoing dialogue regarding Catalan identity and the divergent paths within the broader Spanish narrative.

Ultimately, Sánchez Piñol's literature becomes a platform for exploring not just personal; narratives but also the intricate and often turbulent relationship between culture, politics, and the collective psyche of a nation. As the discussion progresses, it highlights the importance of literature in grappling with the challenges and triumphs faced by a country in flux, encouraging readers to confront the 'monstrous' aspects of national identity and societal aspiration.