Jana Micenková's work addresses one of the primary themes of post-November Slovak literature: the concept of dysfunctional families and the often fraught relationships between parents and children, or between partners. A recurring motif is the demystification of motherhood, where the traditional image of mothers is challenged, showcasing women who either fail in their roles or choose not to embrace motherhood altogether. This discourse has historical roots, extending back to the works of Simone de Beauvoir and her book 'The Second Sex,' which advocated for women's agency beyond biological determinism.

The Slovak literary landscape has seen an emergence of voices that depict various facets of motherhood, including the narratives of neglectful, manipulative, aggressive, or alcoholic mothers, often placing these characters within a multi-generational context. Writers such as Jana Bodnárová, Ivana Dobrakovová, and Richard Pupala engage with these complex depictions, offering readers a diversified understanding of maternal figures that challenge conventional societal norms. Notable works like Kompaník's novel 'The Fifth Boat' from 2010 delineate these themes and their implications for family structures.

Micenková's creative explorations resonate with these contemporary issues, tapping into a broader tradition of critical examinations of motherhood within Slovak literature. By portraying exhausted, moody, and sometimes pathological mothers, she not only contributes to the ongoing conversation about the role of women but also invites reflections on the societal expectations and narratives surrounding motherhood. These literary portrayals serve as a marker for shifting perspectives on familial roles and maternal identity in Slovakia, urging readers to confront uncomfortable realities related to parenting and personal choices.