In her analysis, Johanna Paulsson raises critical questions about the evolution of opera and its essence amid contemporary issues such as individualism, isolation, and loneliness. She reflects on how these themes challenge the traditional role of the stage as a space for dialogue and community interaction, suggesting that there may be a risk of opera losing its identity if pushed too far into modernization.

The article further draws historical connections, referencing Jean Cocteau's 1930 theater monologue "Vox humana," which examined the nature of impersonal communication. Paulsson points out the relevance of this concept in the context of modern communication, where technology often replaces face-to-face dialogue and leads to a fragmented society. The discussion is enriched by mentioning Francis Poulenc's musical adaptation of Cocteau's work, "La voix humaine," which highlights a woman's emotional turmoil as she bids farewell to her lover over the phone.

Paulsson's commentary is particularly significant in today's digital age, where extreme voices often emerge from the anonymity of the internet. She emphasizes the need for opera to remain a vital form of expression that fosters genuine connections among people, rather than becoming an isolated experience reflecting only personal struggles. Her insights call for a reevaluation of how art forms like opera can adapt while still maintaining their communal purpose and emotional resonance.