Feb 24 • 09:30 UTC 🇨🇳 China South China Morning Post

China’s Lunar New Year box office hits 6-year low as releases fall flat

China's Lunar New Year box office revenue has plummeted to a six-year low due to a lack of major film releases.

During the Lunar New Year holiday, China's box office revenues reached a disappointing 5.75 billion yuan (approximately US$831 million), marking a stark decrease of nearly 40% compared to last year's record takings of 9.51 billion yuan. This decline in box office income has positioned this year as the worst since 2020 when pandemic-induced lockdowns severely affected the film industry. The absence of any significant film to emerge as a blockbuster hit has been a determining factor in this year's lackluster performance, particularly following the success of last year's blockbuster Ne Zha 2.

Furthermore, the report from box-office tracker Dengta Data indicates that cinema attendance plummeted by 45.5% compared to the previous year, highlighting a diminished interest in movies during what is traditionally a lucrative period. The average ticket prices have also contributed to the decline, coming under pressure as studios pushed for lower pricing to attract viewers in light of the poor box office health. Many critics and industry analysts are expressing concerns that without a strong lineup of films to attract audiences, the cinematic landscape in China could continue to struggle, affecting future revenues and the overall film industry dynamics.

This downward trend signals potential long-term implications for the Chinese film industry, as studios reevaluate their strategies to draw audiences back into cinemas. If the trend continues, it may push filmmakers and producers towards riskier, more innovative storytelling to reclaim viewer interest, as well as compel them to strategically time their releases for more favorable reception during major holidays. Overall, the weak Lunar New Year results may serve as a wake-up call for an industry grappling with post-pandemic recovery and the changing tastes of movie-going audiences in China.

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