Olivers Laše, the director of the film 'Sirāts', reflects on the film's journey from the Cannes Film Festival, where it won the Jury Prize, to its contention for two Academy Awards. The film delves deep into personal and societal wounds, using technomusic as a significant element, and it portrays the acceptance of death as a source of energy for living. Laše expresses that the film serves as a form of shock therapy, prompting audiences to confront their emotions and experiences together in the theater.

Laše believes that the authenticity of the film's depiction of pain challenges actors to embody emotions that are often difficult to portray. He argues that the film goes beyond personal narratives to unveil broader societal issues and anxieties prevalent in today’s world. The presence of death in the narrative leads to a liberating experience for viewers, opening paths to healing and communal support.

The political aspects of 'Sirāts' are timely, resonating with the current global state of unease. Laše conveys that the film is not just an individual story but a collective experience, making it relevant and necessary in times of distress. Audience members are encouraged to experience the movie together, highlighting cinema’s power to bring people closer and facilitate cathartic releases of shared emotions.