In her latest book, historian Annabelle Hirsch explores Western women's history through a unique lens, presenting a collection of essays that examine a hundred ordinary objects. This method reflects a growing trend in historiography that illustrates how women have fashioned their own autonomous spaces, whether in convents or at spiritualist tables. From a prehistoric thigh bone to the symbolism of red lipstick, Hirsch tracks the complex narrative of women's emancipation, revealing how utilitarian items could swiftly transform into instruments of political revolution and self-defense.

The trend of narrating history through tangible items has also taken root in Czechia, where authors often focus on specific collections from museums. A notable example is Jitka Gelnarová's book "Obstinate Objects," which interprets items from the National Museum through a feminist lens and connects them to the women's movement. Hirsch's approach, albeit broader, shares similarities in its aim to shed light on women's contributions to history through everyday items, thereby providing a more inclusive view of historical narratives.

As Hirsch's work gains attention, it not only contributes to the existing discourse on women's history but also encourages readers to reflect on the everyday objects surrounding them. The book prompts a reevaluation of these items' significance and challenges preconceived notions about women's roles, suggesting that even the most mundane objects hold the potential for revolutionary significance. In doing so, it emphasizes the importance of including diverse perspectives in the historical narrative, particularly those of women who have long been marginalized in standard historical accounts.