The article reviews the debut episode of 'Der Salzburg-Krimi,' entitled 'Tod am Wolfgangsee,' which aired on ARD. The story revolves around forensic criminal psychologist Thomas Meiberger, who, despite his background in psychology, encounters a narrative marred by clichés. Set against the backdrop of the serene Wolfgangsee, the episode attempts to offer fresh insights into criminal investigations by employing psychological profiling. However, the execution leaves much to be desired, often resorting to well-worn tropes rather than innovative storytelling.

Moreover, the article critiques the trend of integrating kitchen psychology into crime dramas. This approach has become increasingly common, with characters often delving into the minds of suspects rather than relying solely on traditional methods of investigation. While the psychological aspect adds a layer of complexity, the article suggests that its applications can sometimes appear forced, making the narrative less engaging. With the character of Meiberger drawing from a past television series, the show seems to struggle to forge a distinctive identity, depending more on established formulas than originality.

Ultimately, while 'Tod am Wolfgangsee' aims to revitalize the crime genre with psychological insights, it risks alienating viewers with repetitive storylines and a lack of character depth. As viewers buckle in for another round of crime-solving at picturesque locales, the article raises the question of whether these narratives can transcend familiar structures to engage audiences meaningfully.