The article evaluates the classic film 'Network' (1976), focusing on its sharp and critical portrayal of the media landscape during a tumultuous era in American history. With the backdrop of a fictional TV network called UBS, the film highlights the existential crisis of news anchor Howard Beale, played by Peter Finch, who makes the shocking announcement of his intent to take his own life on live television. The film is praised for maintaining its intensity and relevance decades later, resonating with contemporary audiences as they grapple with similar themes of dissatisfaction and societal unrest.

The TV journal indicates that 'Network' not only captured the zeitgeist of its time, characterized by the Vietnam War and political assassinations, but also continues to provoke thought in the current sociopolitical climate. The character of Howard Beale, who expresses his raw perceptions about his job, marriage, and the state of the world, serves as a reflection of the struggles many face today. The article asserts that had Beale's declaration occurred in modern Finland, it would certainly create a similar uproar, drawing parallels between past and present media crises.

In essence, the piece emphasizes the film's dual legacy: as a critical commentary on the media industry and as a poignant reminder of the psychological struggles individuals encounter in the face of systemic failures. 'Network' remains a significant cultural touchstone for discussions about mental health, media ethics, and the sensationalism prevalent in news reporting, marking it as a film that is as relevant now as it was in the 1970s.