The article focuses on the recently restored painting 'Interior de Pobres II' by Lasar Segall, a prominent modernist artist who moved from Lithuania to Brazil in 1923. This work captures a somber scene of four individuals in a small living room, each absorbed in their own sorrowful thoughts, highlighting the marginalized human condition in post-World War I Germany. Segall's unique style, characterized by elongated faces and simple yet expressive features, resonates through this melancholic portrayal of poverty and despair.

Currently displayed at the Jewish Museum, 'Interior de Pobres II' is part of a broader exhibition titled 'Lasar Segall: Sempre a Mesma Lua', which aims to showcase the artist's expansive work and contribution to the modernist movement in Brazil. The painting itself had suffered deterioration and was temporarily removed from the Lasar Segall Museum; its restoration signifies a renewed appreciation for the artist's insights into themes of social struggle and human suffering. Through this exhibition, viewers are invited to engage with Segall's artistic legacy and reflect on the implications of his work for contemporary discussions around poverty and marginalization.

Lasar Segall’s art has a unique ability to evoke empathy and provoke thought regarding the marginalized and overlooked segments of society. By portraying figures deeply embedded in their struggles, his work not only documents a particular historical context but also resonates with ongoing issues of inequality and social justice. As the exhibition draws attention to Segall’s contributions, it serves as a reminder of the importance of art in advocacy and the portrayal of the human experience across different eras.