The 'open society' had enemies in Italy. And Popper was rejected
The article discusses the struggles of Italian philosopher Dario Antiseri to introduce Karl Popper's ideas in Italy during the 1970s, reflecting on the cultural landscape of Italian intellectual life.
The passing of Dario Antiseri has brought renewed attention to a unique episode in the history of Italian philosophy. After encountering the ideas of Karl Popper, Antiseri sought to introduce them to Italy, especially his seminal work 'The Open Society and Its Enemies' published in 1945. In the early 1970s, Antiseri endeavored to find a publisher willing to give a voice to Popper's philosophy. Despite reaching out to prominent publishing houses and intellectual circles, he found little support for his efforts, highlighting the challenges faced by new ideas in the Italian cultural milieu. Eventually, his persistence paid off when he secured a publisher, Armando Armando of Rome, leading to wider recognition of Popper's work.
This narrative not only underscores Antiseri's commitment to Popper's epistemological contributions but also serves as a commentary on the Italian intellectual scene of that era. His experiences reflect the broader apprehensiveness within Italian culture toward adopting foreign philosophical frameworks, particularly those challenging established norms. As Antiseri navigated the academic landscape, it became evident that there were significant barriers that reflected a resistance to new ideas that did not align with the prevailing intellectual currents.
Moreover, the article implies that the issues faced by Antiseri continue to resonate in contemporary Italy, where cultural hubs like Florence and Venice have been eclipsed by other global centers of thought. The dismissal of Popper's ideas at that time, as evidenced by the numerous rejections Antiseri faced, invites readers to consider how much the landscape of Italian philosophy has evolved, and what that evolution signifies for its current intellectual engagement with the broader world. Through Antiseri's story, a damning reflection of the cultural conservatism prevalent in Italy emerges, hinting at the ongoing struggles within the country's philosophical discourse.