Linda Thompson, who was in a relationship with Elvis Presley from 1972 to 1976, expressed her sentiments regarding her portrayal—or lack thereof—in the recent biopic directed by Baz Luhrmann. While she highlighted the film's focus on Elvis and Priscilla Presley’s relationship, she noted the absence of crucial figures like herself who contributed significantly to Elvis's life. Thompson felt 'erased' in the narrative, indicating that such omissions dilute the authenticity of a biopic that claims to capture the essence of the legendary singer's life.

In contrast, Thompson's perspective on Luhrmann's upcoming concert documentary film, EPiC: Elvis Presley in Concert, is notably more favorable. Her response seems to suggest that the format of a concert documentary may provide a broader appreciation of Elvis’s musical legacy without the constraints of personal relationships that a traditional biopic might entail. She appears to welcome the opportunity for fans to engage with Elvis's music in a live performance context, which could reaffirm his stature as a music icon.

Overall, the commentary from Thompson sheds light on the ongoing debates surrounding representations of historical figures in film, particularly in biopics where perspectives can be selectively included or omitted. The reactions to both works paint a picture of the complexities involved in portraying real-life narratives, as those closely associated with the subjects often have differing views on what constitutes a true story.