The dance-opera 'Genesis', which made its debut in Cape Town this week, stands as a significant artistic creation that not only entertains but also explores profound themes related to healing and memory. Gregory Maqoma, a celebrated South African dancer, emphasizes the importance of collaboration in his work, believing that every participant in the rehearsal process contributes valuable insights that enrich the final performance. Through this lens, 'Genesis' becomes a collective effort involving performers and the audience alike, reflecting a shared journey of storytelling.

Maqoma, who is nearing retirement from on-stage performing, articulates a vision where the audience is not merely passive recipients of art but active collaborators. He suggests that the work must resonate with viewers, aiming to elicit inspiration and connection through relatable narratives. His perspective reveals a deep commitment to creating meaningful experiences that acknowledge the past and hope for a healed future, which is central to the thematic undertones of 'Genesis'.

As the performance unfolds, it showcases a blend of dance, opera, and other artistic forms, making it a multifaceted exploration of identity and history. This innovative approach not only serves to captivate the audience but also engages them in a dialogue about their collective past, further emphasizing the necessity of shared healing and understanding. 'Genesis' thus encapsulates Maqoma's artistic legacy, intending to leave a lasting impact on both participants and spectators alike, fostering a deeper appreciation for the arts and their capacity to address societal issues.