The first Afghan film kiss and a director shooting her homeless brother. What films resonate at Berlinale
This year's Berlinale festival features discussions on the intersection of politics and film, highlighted by Wim Wenders' comments on artistic independence.
The Berlinale film festival has once again positioned itself at the intersection of politics and cinema, as underscored by the renowned German director Wim Wenders. On the festival's opening day, Wenders sparked conversation with his response to a question posed by activist blogger Tilo Jung regarding the jury's stance on the situation in Gaza, Palestine, and Israel. Wenders argued that films should stand apart from politics, asserting that once filmmakers engage in political narratives, they have crossed into the political domain rather than remaining in the creative realm.
This viewpoint ignited a response from acclaimed Indian author Arundhati Roy, who countered the notion that cinema should be politically neutral. Roy was in attendance for the screening of the restored classic Indian film "In Which Annie Gives It Those Ones," for which she penned the script back in 1989. Her insights and criticisms highlight the ongoing debate within the cinema community about the role of filmmakers in addressing social and political issues, and the possible repercussions of either aligning with or separating from political discourse.
The content of the Berlinale program reflects such tensions, showcasing films that engage with contemporary issues while celebrating artistic expression. With filmmakers from various backgrounds presenting their works, the festival not only serves as a platform for storytelling but also as a space for critical dialogue around the societal implications of film, making this year’s event particularly resonant amid global political currents.