The article explores the resurgence of religious-themed songs, movies, video games, and musical events, suggesting that this could be interpreted as a return of religion. However, the author posits that these cultural phenomena lack the depth and coherence of a complete religious worldview. Rather than indicating a significant revival of structural belief systems, these elements are viewed as disconnected symbols that serve more as ornaments than as coherent representations of totalistic religious systems like those of the past.

The author argues that, despite the proliferation of these religious cultural artifacts, belief in a traditionally structuring role of religion within society has not returned. Instead, the articles reflect a superficial engagement with religious themes that prompt questions about their meaning and human conditions, lacking the depth of genuine spiritual or religious adherence. These symbols are seen as serving to decorate contemporary life rather than facilitating an integrated worldview.

Ultimately, the article concludes that we are not witnessing a renaissance of belief in its traditional form, which would involve a comprehensive regulatory framework for social relations. Rather, it suggests a more fragmented and ornamental approach to religion, where the essence of belief is not fully restored as a societal structuring force, emphasizing the distinction between mere cultural references and the substance of deep-rooted religious faith.