Beatrice Venezi recently addressed the controversy stemming from her appointment as the conductor of Teatro la Fenice in Venice. In an interview with the Argentine daily El Clarin, she expressed her belief that her position has become a political battleground, particularly with the impending elections in the Veneto region, which includes Venice. She highlighted the challenge of being a woman in a predominantly male-driven industry, stating, "There is much machismo in Italy," which she feels contributes to the backlash she has received.

Venezi remarked that after enduring the difficult initial phase of criticism, she realized that there is a fear of new ideas and change within the classical music community. She emphasized that the city of Venice must attract a younger audience, noting that the current subscriber demographic is predominantly over 80 years old. She believes that without innovation in the arts, cultural venues risk becoming irrelevant, suggesting that her new role is essential for invigorating the theater.

The response to her comments was not entirely supportive, as evidenced by the establishment of the Fenice Viva committee in Venice. This group has voiced concerns over her appointment and seeks to represent the interests of theater workers who oppose her leadership. The ongoing debate highlights significant tensions within Italy’s cultural landscape, balancing tradition with the need for modern representation and ideas.