The article explores the fascinating variety of paper types available for artists, highlighting unique options beyond the mundane standard printer paper. It mentions handmade cotton paper, stone paper made from limestone powder, Japanese paper from plant fibers, and the exotic Daphne paper from the Lokta plant in the Himalayas. Each type of paper possesses distinct textures and qualities that influence artistic expression, yet artists often resort to quicker sketching on commonly available papers rather than embracing these diverse materials for their final works.

Interestingly, the article points out the ongoing tendency in art to favor oil paintings on canvas, a medium that has traditionally been associated with male dominance in the art world. This raises questions about the representation of women in art, particularly how materials and mediums may unintentionally reflect gender biases. As fewer women artists are recognized for their work in ways that challenge traditional norms, the exploration of paper as a medium offers a perspective on how female creativity can be expressed in more nuanced and less commercial ways.

The discussion of paper not only serves as a tribute to the often-overlooked elements of art creation but also connects to broader themes of gender and status in the artistic community. It prompts readers to reconsider the roles that both materials and gender play in shaping the art world and encourages a more inclusive appreciation of diverse practices, especially those pioneered by women artists.