The article reflects on the unique experience at a performance by Argentine choreographer Ana María Stekelman, marking the opening of the Ballet Contemporáneo season, where the audience remained entirely distraction-free from cellphones, culminating in a distinctive sound during applause.
The article recounts the author's extraordinary experience at a recent performance by Ana María Stekelman, a famous Argentine choreographer, which marked the inauguration of the season for the Ballet Contemporáneo del Teatro San Martín in 2026. One notable aspect of the performance was the complete absence of cell phone disruptions, a rare occurrence in today’s theater scene that greatly enhanced the viewing experience. The author expresses a sense of awe and appreciation for the audience's focus and the skillful performance by the dancers.
As the show concluded, the applause was not just a standard clap; instead, a unique sound distinct from the usual appreciation began to permeate the hall. This sound, described as a series of three, added an unusual and almost magical quality to the atmosphere of the evening. The article emphasizes how this experience highlighted the bond between the performers and the audience, showcasing a moment of shared joy and appreciation, rare in modern performances.
Furthermore, the author hints at exploring this phenomenon of audience engagement in future articles, suggesting that the essence of theater is not just contained within the performance itself but is also significantly influenced by the audience's behavior and reactions. The article, therefore, serves to remind readers of the transformative power of live performances when spectators are fully present and engaged in the moment.
