On the night of Tuesday (17), the last parades at Rio de Janeiro's iconic Sapucaí celebrated multi-artist Heitor dos Prazeres and renowned carnaval designer Rosa Magalhães. The event also highlighted the Manguebeat movement and the Ifá religion, which has roots in Africa and Cuba. This vibrant display of culture reflects the deep connections between these regions, emphasizing the significance of cultural and religious traditions in Brazilian society.

The Paraíso do Tuiuti school opened the parade with a powerful performance led by vocalist Pixulé, who captivated the audience with a samba tribute that delved into the riches and mysteries of the Ifá oracle tradition. Historian Luiz Antônio Simas described the presentation as a bridge connecting Africa, the Caribbean, and Brazil, symbolizing the strong cultural ties that exist between these areas. The parade's front commission paid homage to Olodumare, the principle creator, while the Supersom drumline, under the direction of Mestre Marcão, blended salsa and samba, showcasing the dynamic and evolving nature of Brazilian music.

The event concluded with performances from Vila Isabel, Grande Rio, and Salgueiro, each contributing to a rich tapestry of festivities that reflect Brazil's diverse cultural heritage. This final night serves not only as a celebration of the samba tradition but also as a reminder of the ongoing relevance of cultural identities and the histories they encompass, especially within the context of Brazil's unique cultural landscape.