The recent two-day concert of Croatian singer Marko Perkovića Thompson in Široki Brijeg has ignited more than just musical appreciation, as it has become the center of a heated political and social discourse. Israeli Ambassador Galit Peleg publicly accused Thompson's team and part of the audience of glorifying Nazism, leading to strong backlash across Croatia and Bosnia and Herzegovina. Thompson's team firmly rejected these accusations, asserting that the concert was a celebration of life and unity, distancing themselves from any ideologies associated with fascism.

Following the controversy, Ambassador Peleg reasserted her stance in an interview, although she moderated her language significantly from her initial comments. This change in tone suggests a possible reconsideration of her original claims, as she introduced clarifying points that limited the scope of her earlier accusations against Thompson and his supporters. Her original statements had generated strong reactions, indicating the sensitive nature of historical narratives and national identity in this region.

The incident underscores how cultural events can intersect with deep-rooted social and political issues, especially in contexts with historical complexities like Croatia and Bosnia and Herzegovina. As the discussions evolve, it raises pertinent questions about the challenges of reconciling artistic expression with historical sensitivity, and the role of public figures and diplomats in navigating such controversies.