In Uttar Pradesh, the upcoming film 'Yadav Ji's Love Story' has sparked significant political and social unrest due to its controversial storyline. Scheduled for release on February 27, the film reportedly portrays a Yadav girl who falls in love with a Muslim boy, and the Yadav community has expressed strong opposition, accusing the film of promoting the narrative of 'love jihad'. Community organizations are actively protesting, warning that they will not allow the film to be screened in any theatre.

Protests have been notably intense in the districts of Sambhal and Firozabad, where members of the Yadav community are filing complaints and submitting memorandums to district magistrates. They argue that the film targets a specific caste and could disrupt social harmony. The demonstrators have also issued threats to cinema operators that any attempt to screen the film will result in severe protests. This indicates the sensitive nature of caste dynamics in the region, and the ability of films to stir communal sentiments.

Another significant point raised by the protesters is the absence of any Yadav individuals among the film's creative team, including the producer Sandeep Tomar and director Ankit Bhadhana, which they claim further alienates their community. The tensions surrounding this film highlight the broader implications of media representation of caste and religious identities in India and suggest that films are increasingly viewed as battlegrounds for political agendas, especially in a charged social environment like Uttar Pradesh.