Feb 18 • 11:25 UTC 🇪🇪 Estonia Postimees

REVIEW ⟩ Like ‘Mad Max’, but with dance music, drugs, and a middle-aged dad

The film 'Sirat', nominated for Best International Feature at the Oscars, is described as a hypnotic journey through a dangerous landscape, combining elements of dance culture and the thrill of peril.

'Sirat', a nominee for the Best International Feature Film at the Oscars, embarks on a hypnotic journey that merges elements reminiscent of 'Mad Max' with the vibrant yet dangerous world of dance music and the life challenges of a middle-aged father. The film features towering, booming speakers, a protagonist with a prosthetic leg, and hidden life-threatening mines in a sparse desert setting, crafting an intoxicating experience for viewers. The production, which includes the renowned filmmaker Pedro Almodóvar, portrays an artistic vision that resonates deeply with the dance music culture.

Despite its unique themes, 'Sirat' is not intended for everyone. It caters specifically to those enthusiasts who find deep connections in dance and music, suggesting a level of intimacy and engagement that may alienate a broader audience. This film doesn't shy away from delving into heavy topics, juxtaposing dance music's allure with stark realities. The film's comparison to Gaspar Noé's 'Climax' highlights its intense visual and auditory landscape but distinguishes itself with a wider and drier context.

The implications of 'Sirat's' Oscar nomination are significant, reflecting a growing acknowledgment of international cinema within mainstream platforms. As the film navigates complex themes of addiction and personal struggle through its characters' journeys, it invites viewers to rethink their perceptions of both dance culture and dramatic storytelling. 'Sirat' stands as a testament to creative storytelling that resonates across cultures, particularly within the lens of European cinematic innovation.

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