In a reflective piece, Leif Zern emphasizes the profound impact of Shakespeare's characters, specifically Romeo and Juliet, arguing that they represent the true essence of humanity rather than the biblical figures of Adam and Eve. Through Shakespeare's narratives and themes, he highlights the extraordinary capacity for transformation within individuals, suggesting that mere decent people can become murderers in an instant. This transformation encapsulates a universal human experience that resonates particularly in the context of contemporary discussions on human nature.

Zern draws on Harold Bloom's assertion that Shakespeare essentially invented the concept of humanity through his dramatic works. The ongoing revival of interest in Shakespeare indicates that his themes remain relevant in modern society, where discussions around 'repairing' the world through his lens are becoming prominent. He references scholarly conversations about how Shakespeare’s work, labeled as "The reparative Shakespeare," could offer insights into addressing today’s tragic circumstances, emphasizing that there is something deeply human in the complexities of Shakespearean drama that can be considered for contemporary application.

In addition, Zern mentions the plans of the Shakespeare factory in Vadstena, Sweden, to incorporate Shakespearean elements into Swedish drama. This initiative aims to engage both young and established playwrights, fostering a dialogue between Shakespeare's timeless work and current theatrical practices. This leads to a new understanding and adaptation of classic works, bridging historical art with today's cultural expressions and revealing Shakespeare's enduring influence on modern storytelling.