In a press conference held just before his performance in the Dodô circuit of Salvador's carnival, renowned singer Armandinho Macêdo expressed his dissatisfaction with the current organization of the electric trios. He highlighted the issue of so-called 'space owners' who allegedly monopolize positions in the carnival parade and rent them out to those who can afford to pay, thus undermining the integrity of the event. This practice, he argues, results in artists with less financial backing being pushed to the back of the lineup despite their contributions to the carnival and Bahian music history.

Macêdo emphasized the need for reform in the positioning system, calling it unfair and detrimental to a carnival that should honor its cultural roots and the artists who have significantly contributed to its development. He pointed out that the current system privileges those with financial resources rather than respecting the legacy of historical artists and entities that have shaped the festive tradition. This raises questions about the direction in which Salvador's carnival is heading, as it risks alienating its foundational community of artists.

Armandinho’s criticisms reflect a broader concern within the artistic community regarding the commercialization of cultural events. If reform does not occur, the carnival, which is a cornerstone of Bahian identity and tradition, might evolve into an event that prioritizes profit over culture, potentially diminishing its authenticity. His call for change resonates not only with fellow artists but also with fans of the carnival who cherish its roots.