Ivan Pletikos, a writer and lawyer from Pula and an active commentator on socio-political and religious issues, took to his Facebook profile to reflect on the victory of the vocal group Lelek at the Dori festival, which he characterized as a victory for the singer Marko Perković Thompson. In his post, Pletikos argues that the discussion surrounding Lelek's win extends beyond merely selecting a song for the Eurovision contest; it touches on the relationship between popular culture and politics, societal dynamics, and the phenomenon of the Overton window, which reflects the limits of what is publicly acceptable and legitimate.

Pletikos emphasizes the serious nature of the situation within the Croatian context, stating that music goes beyond mere aesthetics; it serves as a battleground for identity. This perspective is particularly significant following a year marked by cultural and social tensions in Croatia surrounding music and certain artists. Hence, the Dori festival, according to Pletikos, carries symbolic weight that transcends the musical realm, representing deeper societal issues that resonate with audiences and stakeholders alike.

The vigorous debate sparked by the victory of Lelek, tied to well-known narratives in Croatian music and identity politics, reveals a landscape where cultural events are not just entertainment but arenas for ideological battles. With historical aspects about the role of music in nationalism and identity formation in Croatia influencing public opinion, Pletikos's observations highlight a critical intersection of culture and politics, raising questions about the future of popular expressions in the country against a backdrop of evolving societal values and consensus.