The article discusses the significance of Miklós Bánffy's trilogy, which reflects on the decline of the Hungarian elite and their societal structures leading up to World War II. The narrative parallels the biblical story of Daniel, drawing comparisons between the fall of kingdoms and the end of an era in Hungary, characterized by opulence and aristocratic life. Bánffy's work, published in 1934, offers a detailed insight into the luxuries, dramas, and moralities of the time, encapsulating events like extravagant balls, hunting excursions, and political intrigues within the Hungarian parliament.

Furthermore, the trilogy, comprising three hefty volumes, not only entertains but also serves as a historical document, detailing how the aristocracy's inability to adapt led to their eventual downfall. The rich scenes of high society—filled with personal tragedies and echoes of erased grandeur—set the tone for a narrative that critiques the arrogance and failures of the ruling class. Bánffy’s poignant storytelling weaves together the past’s complexities while foreshadowing the turbulent times that lay ahead for Hungary.

In conclusion, Bánffy's work transcends mere storytelling; it is a retrospective that paints a vivid picture of a society on the brink of transformation. The trilogy stands as a testament to a bygone epoch, reflecting on the pitfalls of excess and disconnection from reality, reminding readers of the historical lessons that resonate to this day.