Michael Wolffsohn, born in 1947 as the child of German refugees, has delved into the past of renowned conductor Herbert von Karajan, particularly focusing on his actions and choices during the Nazi era. In his latest publication "Genie und Gewissen," released by the Herder Verlag, Wolffsohn critically analyzes Karajan's legacy and the moral implications of his career during a tumultuous period in history. His extensive teaching career at the University of the Federal Armed Forces Munich, along with numerous publications on topics ranging from the Cold War to Israeli politics, position him as a credible voice on historical consequences.

In a personal setting, Wolffsohn invites readers into his home in a Munich suburb, where he hosts an informal gathering with tea, coffee, and traditional pastries. The choice of setting, a space that combines warmth and personal history, mirrors the complex discussion surrounding Karajan's past. While softening the impact of the serious subject matter, Wolffsohn underscores the importance of remembering and examining the past to understand the present, particularly in relation to influential figures like Karajan.

This exploration into Karajan's legacy is timely, as it emerges amidst ongoing discussions about the responsibility of artists and public figures in acknowledging historical wrongdoings. As Wolffsohn's book releases, it aims to spark further dialogue about the intersection of art, morality, and historical context, pressing readers to ponder the nuances of legacy and remembrance in a post-war world.