The documentary focuses on Paulo Vagalume, a prominent figure in the carnival of Tatuí, Brazil, who, despite passing away in 2015, continues to be a symbol of the celebration. The film, produced by journalist Rafaele Breves, aims to preserve and celebrate Vagalume's legacy as well as that of his family, who are significant figures in the local black community. With the collaboration of his eldest daughter, Benedita Aparecida da Silva, the documentary seeks to record the memories and contributions of older generations in the community.

Tatuí’s carnival is a vital cultural event, and Vagalume’s influence is still felt today, making the documentary attempt not only a reminiscence but also a celebration of black history and culture within the city. Breves emphasizes the importance of gathering narratives from the older members of the community to ensure that this cultural legacy is recognized and honored. The decision to address such themes underscores the resilience of the black community in Tatuí and highlights the importance of storytelling in preserving history.

The documentary is part of a broader series titled 'Desterro Negro Tatuiano – Marias, Josés e Outras Histórias', which aims to illuminate the lives of significant black individuals in Tatuí. This initiative not only enhances awareness of local history but also serves to inspire future generations by acknowledging the foundational role that figures like Vagalume played in shaping cultural traditions in the region. Overall, the project reflects a growing recognition of cultural diversity and attempts to cement the legacy of black contributions to Brazilian society.