At the ongoing Rio Carnival in Brazil, one of the main samba parades highlighted a 20-meter statue of President Lula, themed around his life and past as a metal worker. Approximately 3,100 participants dressed as workers celebrated Lula's legacy, leading to accusations that the carnival's display was being used as a campaign tool for the upcoming October election. Critics have pointed out that this could blur the lines between cultural festivities and political campaigning, especially as Lula prepares for a significant electoral contest.

The particular samba school, Niteroi, chose the theme 'Hope Rising from the Top of the Mourning Tree: Brazilian Workers, Lula,' emphasizing the connection between Lula's public policies and the improvement of educational opportunities for many of its members. While some defend the portrayal of Lula as an homage rather than a political advertisement, the juxtaposition of artistry and political imagery in such events raises questions about the appropriate boundaries in public celebrations and the potential exploitation of culture for electoral gains.

The parade not only celebrated Lula’s contributions and past but also contrasted with other parades that centered on themes relevant to Amazonian indigenous culture and religion. As the carnival attracts massive public attention, the involvement of political figures such as Lula illustrates the dynamic relationship between national identity, cultural heritage, and the political landscape in Brazil, particularly during an election season where these symbols can have a lasting impact on public opinion and voter engagement.