During the National Chaya Festival in La Rioja, Argentina, folk singer Ramiro González publicly criticized Vice President Victoria Villarruel, labeling her as a 'denier' in relation to the country's past military dictatorship. His remarks came ahead of her appearance at the festival, reflecting a broader context of political tension regarding historical memory in Argentina. González's comments, dedicated to the memory of the disappeared, underscored the ongoing debate about the legacy of the 1976-1983 dictatorship and its impact on Argentine society.

González specifically recalled Enrique Angelelli, a bishop known for his opposition to the military regime, as he made his emotional plea during the festival. The crowd responded positively to his remarks, indicating a shared sentiment among attendees regarding the political climate and historical accountability. Villarruel, known for her controversial stance on the dictatorship, faced backlash from various sectors, particularly those aligned with left-leaning political histories and memory preservation.

This incident illustrates the enduring divisions in Argentina's political landscape regarding memory and truth from the dictatorship era. Artists like González use their platforms to influence public opinion and engage in crucial sociopolitical discussions, reflecting the vital role of culture in shaping narratives about the past. As these conversations continue, they highlight the challenges and responsibilities of political representatives in addressing historical injustices and fostering national dialogue.