In his commentary, Josef Koukal reflects on the significance of an empty chair, which symbolizes a deepening rift between traditional craftsmen like plumbers and the contemporary art scene. The chair, once a space of dialogue, now stands empty, representing the disconnect and misunderstandings that have emerged between these two groups. Koukal urges for a reconciliation and understanding of the value that both craftsmen and artists bring to society.

Koukal outlines the historical context of craftsmen's roles in society versus the evolving perceptions of art and artistry. He highlights how divisions have formed, fueled by economic changes, cultural shifts, and differing values regarding the nature of work and creativity. The empty chair becomes a metaphor for the absence of meaningful conversation and collaboration between these groups, underscoring the implications of such a divide.

The commentary ultimately calls for a reintegration of these communities, emphasizing that both craftsmen and artists can coexist and enrich one another's work. Koukal suggests that addressing this divide is essential not just for bridging gaps between professions, but for fostering a broader appreciation of the diverse skills and talents present in society. This discourse has implications for how we view labor and the arts in modern culture.