The article highlights the hectic carnival routine of three young musicians from São Paulo, Leandro Joaquim dos Santos Neto, Rubens Martz de Campos Neto, and Gustavo Henrique Duga de Oliveira, who are members of various samba schools. They navigate a demanding schedule, participating in rehearsals almost daily and claiming there is no room for improvisation. Their commitment to samba and dedication to practicing are key factors in their ability to juggle multiple performances across schools, including the Mocidade Unida da Mooca and others.

Leandro, at 21, balances his time between several schools, including Camisa 12 and Tom Maior. In particular, the trio describes their experience as "correria"—a rush—emphasizing the importance of training and their passion for samba music. They express that their shared love for the art form is what motivates them through the exhausting preparations leading up to the carnival season.

The story reflects the cultural significance of samba in Brazil, particularly in São Paulo, where young talent continues to thrive amid intense competition and a rich tradition. It also speaks to the broader social context of carnival as a vital expression of Brazilian identity, showcasing the dedication of these young musicians to uphold and enhance the vibrant culture of samba during this festive period.