Objeto Reciente is an initiative driven by art historian Laura Guindlin, focusing on the curation and restoration of Argentine furniture and objects that were produced between the 1950s and 1980s. This project seeks to revive pieces that once adorned family homes, such as modular libraries, enameled dishware, low-profile chairs, and acrylic lamps, finding them a new place in the homes of contemporary generations. The initiative reflects a nostalgia for the past while providing a fresh context for these designs.

The resurgence of this focus on Argentine design coincides with a broader trend of revaluing national industrial design and the rise of fairs as venues for independent projects. In recent years, these events have emerged as critical platforms for emerging designers who, operating outside of the traditional commercial market, emphasize short runs, artisanal production, and sustainable materials. This movement not only invigorates the creative economy but also fosters a stronger appreciation for local design heritage.

In essence, Objeto Reciente serves as a bridge between the past and the present, illustrating how vintage designs can be repurposed and appreciated anew. By curating these historical pieces, the project not only honors the craftsmanship of the time but also inspires future generations of designers to draw from their cultural heritage, ensuring that Argentine design continues to evolve and resonate.