In the article, Miss Havisham is depicted as a powerful symbol of abandonment, encapsulated by her discolored wedding dress and the stagnant time represented by her stopped clocks. Her character reflects a deep obsession with halting time, which leads to a masochistic pleasure in her own suffering and a physical and mental captivity that corrupts her existence. Through her dramatic portrayal, the article evokes the heavy emotional burden of unrequited love and societal withdrawal that she undergoes.

Miss Havisham's decision to live in a decaying, neglected environment, refusing to embrace life or love again, illustrates her self-imposed penance. The description of her withering appearance, alongside decayed wedding paraphernalia, paints a vivid picture of a woman frozen in time, overshadowed by her heartbreak. This atmosphere of despair serves as a poignant reminder of the impacts of emotional trauma on one's identity and wellbeing.

The article also highlights the introductory encounter between Miss Havisham and Pip, the protagonist of 'Great Expectations.' Her unsettling question towards Pip regarding the fear of a woman who has not seen daylight in many years sets the tone for their significant relationship. This dynamic, filled with both intrigue and horror, serves as a narrative device that illustrates the complex interplay between memory, trauma, and the haunted past that characters like Miss Havisham embody.