In Poland, members of the ruling Law and Justice party (PiS) have launched a public attack on renowned writer Olga Tokarczuk over a nearly 17 million złoty grant initially allocated for a video game project associated with her name. Michał Woś, a PiS member, took to social media to express discontent regarding the missing game and the absence of Tokarczuk from the company behind the project. Dariusz Matecki has initiated a parliamentary inquiry into the Polish Agency for Enterprise Development (PARP) regarding the grant, questioning the flow of funds and their intended use.

The funding in question originates from European Union resources, which means it accounts for contributions from not only Polish taxpayers but also citizens of other EU member states. This aspect complicates the narrative, as it raises broader concerns regarding the management and allocation of EU funds. According to statements from Sundog, the company partially responsible for the project, the grant is structured in stages, with the first tranche released in spring 2025, specifically catering to previously incurred expenses, while subsequent payments hinge on meeting predefined milestones outlined in their operational schedule.

The controversy shines a light on the intersection of politics, culture, and funding in Poland, especially given Tokarczuk's prominence as a cultural figure and her previous accolades. The investigation into the use of EU funds further emphasizes the ongoing scrutiny of governmental financial oversight and the pressures placed on cultural projects linked with high-profile individuals. As the situation develops, it remains critical to observe how it may impact future cultural funding and political dealings in the country.