The article delves into the historical context of Carnival in Brazil, particularly focusing on how political figures have been honored and criticized through its parades. It highlights past instances where schools like Beija-Flor and Porto da Pedra have intertwined political themes with their performances, sometimes to the detriment of the politicians being honored. They have often faced satire and ridicule instead of the intended celebrations.

Specifically, the Academicos de Niterói school aims to showcase 'the worker of Brazil' in a potentially celebratory context for Lula's campaign. However, there is a risk that the over-saturation of political slogans (often referred to as 'chapa-branca') within an entertainment setting may lead to mockery rather than support, particularly in a politically charged atmosphere leading up to an election.

The narrative demonstrates how sponsorship and commercial interests influence the content of Carnival shows, risking their integrity. In a country where Carnival holds significant cultural weight, the intersection of politics and entertainment raises questions about authenticity, public sentiment, and the impact on political campaigns, especially for figures like Lula who are already polarizing.