Vilma Ibarra, a prominent Argentine lawyer, has made her literary debut with her first novel titled 'La última mamushka,' which is set in the politically charged atmosphere of Buenos Aires in the late 1990s. The narrative follows a journalist, Paula Casares, who investigates a series of crimes seemingly disconnected but tied to the political rise of deputy Luis Vargas Benegas. Ibarra's storytelling intricately weaves character development and a detailed portrayal of the city's landscape, drawing readers into an evocative world filled with tension and intrigue.

The novel embodies elements of a classic noir tale, presenting a meticulous construction of both main and secondary characters set against a tumultuous social and political backdrop. The story reveals how Ibarra's legal expertise informs her fictional narrative, as the characters navigate the complexities of justice in a world where crimes might be connected despite the authorities' claims to the contrary. Casares, the journalist, is depicted as a determined figure, representing the relentless pursuit of truth amidst chaos.

Ibarra's work reflects not only her command of legal and political themes but also her understanding of historical context, as she captures the essence of a period marked by uncertainty and corruption. The novel serves as a comment on the past, showcasing how the shadows of history continue to influence the present, a theme encapsulated in the title's suggestion of history looking back at us. As she steps into the literary arena, Ibarra's debut promises to resonate with readers interested in socially conscious narratives that address significant issues through the lens of personal and collective experiences.