The article discusses the cultural significance of 'robes de chambre' as seen in the context of Greek cinema, particularly through a reference to the film 'Ο στρίγγλος που έγινε αρνάκι' (The Stingy One Who Became a Lamb) where a character, played by Lambros Konstantaras, interacts with a widow while donned in a luxurious robe. The author then reflects on the contemporary implications of wearing such robes, suggesting that the cultural expression of dressing in this way contrasts sharply with the state of affairs in Turkey, where violence and unrest are colors of the current landscape. The final remark implies a critical view of how minor grievances or lifestyle choices are addressed in Greece, mentioning a domestic issue while hinting at the severity of situations faced by others, such as those in Turkey.