In her walk through Rome, Christina Höfferer begins by examining the city's modern architecture, which she finds fascinating in its contrasts and breaks with tradition. While Rome is often associated with its ancient and Renaissance landmarks, Höfferer points out that the city's architectural landscape is much more diverse, showcasing how old and new coexist in unexpected ways. This exploration leads her to reflect on the intricacies of urban development within the city, emphasizing the importance of architectural diversity in shaping Rome's identity.

Particularly noteworthy is the Flaminio district, situated north of the historical center, which has evolved significantly over the past few decades. Once primarily a residential area for the affluent, it has transitioned into a dynamic cultural quarter that attracts a wide variety of visitors. This transformation is marked by the establishment of iconic buildings such as the Museum of 21st Century Arts (MAXXI), designed by Zaha Hadid, which opened in 2010, along with the Auditorium Parco della Musica by Renzo Piano, built in the mid-1990s. These structures not only enhance the District's appeal but also contribute to a broader dialogue about contemporary architectural practices in a city steeped in history.

Höfferer's observations underscore how modern structures can redefine urban spaces, inviting both locals and tourists to engage with Rome's rich cultural tapestry. The interplay of contemporary design and historical context in places like Flaminio reflects a changing attitude towards architecture in the city, suggesting a future where innovation and heritage coexist harmoniously. This narrative invites readers to appreciate the multifaceted nature of Rome as a living city that continuously reshapes its identity while honoring its past.