Madrid's Teatro Real has premiered Francisco Coll's opera 'Enemigo del pueblo', marking a significant moment in contemporary music. This success is complemented by a comprehensive monographic series organized by Fundación March, which begins with the world premiere of 'Sefarad' and concludes with Coll's praised work, the 'Cuarteto de cuerda'. These events highlight not only Coll's rising stature in the classical music scene but also a broader cultural embrace of innovative and eclectic compositions.

The dedication of the Fundación March to Coll reflects a growing recognition of contemporary composers who push the boundaries of traditional classical music. The inclusion of both the recent works and the premiere performances showcases the diversity and creativity present in modern compositions. Critics and musicologists, like Richard Taruskin, have noted that engaging with eclectic sounds in music is essential for today's composers, suggesting that Coll embodies this idea by blending various influences and styles.

As Madrid embraces Coll's music, it becomes a focal point for new compositions that challenge conventions and invite audiences to experience the evolution of opera and chamber music. This cultural momentum not only reinforces Madrid's position as a hub for classical music but also encourages other cities to promote contemporary works, ultimately raising awareness and appreciation for the genre across wider audiences.