The article discusses a new television series titled 'Love Story: John F. Kennedy Jr & Carolyn Bessette,' which focuses on the lives of the tragic Kennedy couple. Released on Disney+, the series aims to highlight their story, framed within the glamorous yet tragic narrative of their lives. Despite its high-profile subject matter, the series has been met with skepticism regarding its authenticity and depth of portrayal.

Malin Ullgren critiques how Carolyn Bessette is presented in the series, suggesting that her character is reduced to a 'maybe-man' female icon, lacking complexity and depth. This portrayal raises questions about the responsibilities of filmmakers to honor the dignity of their subjects while also appealing to audiences. Ullgren implies that this adaptation prioritizes drama over a nuanced understanding of the real-life events and people it depicts.

The sentiment expressed in the article reflects broader concerns about media representations of public figures, particularly within the context of tragedy and celebrity culture. By focusing on style rather than substance, such depictions risk simplifying complex narratives and contributing to a cycle of sensationalism in entertainment. The critique serves as a reminder of the challenges faced in adapting real lives into compelling television narratives, where the line between fact and dramatization often blurs.