'Medea', under the direction of Gabriel Villela, brings a unique interpretation of Seneca's version of the tale that emphasizes the extreme violence and dense rhetoric often considered unsuited for performance. Villela recontextualizes this horror, using it as a tool for political, social, and environmental critique, paralleling the contemporary 'barbarities' with the wrath of the mythical character. The decision to choose Seneca over Euripides reflects an intentional deviation that aligns more closely with the stoic philosophy of individual responsibility for one's actions. In this new interpretation, translated by Ricardo Duarte, Medea emerges as a conscious agent of destruction, firmly placing blame on individuals rather than societal structures. This perspective resonates with the darkest aspects of human nature and governance, forcing the audience to confront uncomfortable truths about morality and accountability. The project was inspired by Villela's reflections during the pandemic, revealing how timeless themes can resonate within modern contexts. Ultimately, the production invites a profound engagement with the pressing issues of environmental degradation and political strife that characterize today's world. By embodying the raw power of the original text, Villela challenges the audience to contemplate the consequences of their actions within a decaying social and ecological landscape, positioning 'Medea' as a timely reflection on agency in a world marked by crisis.