In the bustling atmosphere of Riga, the narrator describes a ride on tram number one, which is almost empty, reflecting on the overall cleanliness and state of the public transport system. The contrast between the outer world of the tram, with its dirty seats, and the inner world of the narrator’s thoughts serves to highlight broader themes of decay and renewal, foreshadowing their upcoming theater experience. In this setting, the narrator's mind drifts towards the film "Girl, Interrupted," which explores themes of mental instability and the search for identity among young women, a prelude to the emotional environment they might encounter at the theater.

The following evening, the narrator attends the premiere of Matīsa Kaža's first production at the New Riga Theatre, titled "The Valley of Wonder." This production promises to delve into the complexities of human emotions, much like the film viewed on the tram. The connection between the film's narrative and questions of self-discovery resonates within the context of the play, suggesting that the theatrical experience might evoke similar feelings and reflections about personal struggles and societal expectations.

Ultimately, the article encapsulates a moment of transition for the narrator, both in their physical journey through Riga and their emotional journey into the world of theater. It raises poignant questions about the nature of despair and hope, and how artistic expressions like theatre and film can offer a cathartic escape and deeper understanding of one’s own heart’s capacity for fullness and emptiness, particularly in the face of life’s challenges.