The article expresses strong discontent with a satirical drawing of Norway's Mette-Marit published by Aftenposten, depicting her in a crude and offensive manner. The author highlights how the imagery and accompanying commentary made them feel physically ill, emphasizing the shock they felt upon seeing it. This drawing has contributed to a wider discourse surrounding Mette-Marit, particularly concerning her past interactions with controversial figures such as Jeffrey Epstein.

In the article, the author discusses the nature of Mette-Marit’s communications with Epstein, noting that these messages were deeply personal and likely misinterpreted given the sensationalized portrayal by the media. The discussion reveals a sense of vulnerability, portraying Mette-Marit as someone who yearns for recognition and validation based on her true self rather than her public persona. The author questions the motives behind the media's depiction and how it may affect her public and personal life.

The piece raises important questions about the ethics of media representation, especially when it involves public figures and their private interactions. The backlash against the drawing reflects a societal conflict over the treatment of personal narratives in the public eye, challenging readers to consider the implications of satire, humor, and respect in journalism. By acknowledging Mette-Marit’s humanity, the article calls for more empathetic discourse, particularly in how we portray individuals who have experienced personal vulnerabilities and challenges.