The article explores the overwhelming range of fiction series available for viewers, particularly in light of the 1,100 new programs released in the previous year in the United States alone. Experts note that, with such an abundance of content, it becomes difficult for audiences to navigate and find quality programming. This vast range means that viewers encounter a mix of surprises, both positive and negative, in their entertainment choices.

Among the notable series discussed is 'Atomic,' which features an unlikely partnership between a small-time drug trafficker and a retired jihadist. Set against the backdrop of the Moroccan desert, the show delves into their adventures as they try to evade dangerous foes. Although the setting includes references to Libya, the primary narrative revolves around the dynamics of this unusual duo, presenting a unique perspective on the themes of drug trafficking and survival in a hostile environment.

The article reflects on how the rise of such series strips away the traditional boundaries of storytelling in popular culture, allowing for more complex portrayals of characters often seen in black-and-white terms. As these narratives gain traction, they invite audiences to reconsider their perceptions of morality and villainy within these high-stakes scenarios.