The article examines a theater production titled "I corpi di Elizabeth," currently showing at the Elfo Puccini Theater, which explores the reign of Queen Elizabeth I of England. Regarded as a significant figure in the late 16th century, Elizabeth I ruled from 1558 until her death in 1603, a period marked by a flourishing of the arts, including theater. The production captures the essence of that era, emphasizing the role of theater as a means for social recognition of actors, something that was quite revolutionary at the time, as Elizabeth granted acting companies the right to perform publicly in 1574.

The creative direction of the play by Cristina Crippa and Elio De Capitani showcases the unique staging and scenic elements, such as tapestries and movable fabric panels, that evoke the visual language of Elizabethan theater. These visual elements are essential, as they instill a sense of drama and intrigue, reflecting the complexities of Elizabeth's character and authority. The use of these theatrical devices allows the audience to engage their imagination and reconstruct the historical narrative that might not be explicitly represented on stage.

Overall, the production not only honors Queen Elizabeth's legacy but also comments on her solitary rule and independence, highlighting her refusal to conform to societal expectations regarding marriage and gender roles. This artistic portrayal serves as an invitation to reflect on the ongoing struggles related to women's leadership and autonomy, making its relevance resonate beyond the Elizabethan era to contemporary discussions on female empowerment and authority in society.