The article discusses Christoph Hein's interpretation of Johann Sebastian Bach in his novella collection "Das Havelberger Konzert," pointing out inaccuracies in his portrayal. The author reflects on his own extensive research into the life of Anna Magdalena Bach, Johann's second wife, which has formed the basis of his academic work and blog. The emphasis is on the often-overlooked stories and contributions of women in the history of music, particularly how Anna Magdalena's role has been underrepresented.

The author draws from Wilhelm Busch's words to highlight the importance of considering different perspectives when discussing historical figures from the past. By examining Anna Magdalena's life, the author aims to shed light on her influence on Bach's music and legacy, underscoring the significance of understanding the context in which they lived and worked. This discussion reveals how historical narratives can shift and evolve as new interpretations arise, prompting readers to contemplate how much about Bach may still be unknown or misunderstood.

In conclusion, the article advocates for a deeper exploration of Bach's life through the lens of those who surrounded him, particularly women like Anna Magdalena. It suggests that such investigations not only enrich our appreciation of Bach's genius but also remind us of the broader contexts and stories that frame the lives of celebrated figures in classical music.