Currently, the film 'Jeanne Dielman, 23 quai du commerce, 1080 Bruxelles' by Chantal Akerman is celebrated as the best film in the world, a title it has garnered due to its groundbreaking approach to storytelling and its feminist perspective. This 1975 film portrays the mundane life of a Belgian housewife, detailing her daily routine of caring for her son, peeling potatoes, shopping, and engaging in afternoon encounters with older men, all while showcasing the tedium and isolation that encompass her existence.

Delphine Seyrig's portrayal of the character Dielman adds an intriguing layer to the film, with her performance described as enigmatic and ethereal. Known for her roles in works by renowned directors like Alain Resnais and François Truffaut, Seyrig's understated acting style complements the film's blend of social realism with surreal undertones. This unique combination invites viewers to reflect deeply on the themes of domesticity, gender roles, and the often-overlooked aspects of women's lives.

The article is part of Politiken's daily column 'Set og hørt,' which discusses various aspects of media, including TV, streaming, radio, and podcasts. The opinions expressed in the column reflect the individual writer's views rather than the official stance of the newspaper itself, highlighting the evolving landscape of film criticism and the ongoing relevance of feminist narratives in cinema.