The piece reflects the author's deep affection for peripheral areas of Slovakia, which many tend to overlook. This connection stems from years of experience as a journalist and photographer, resulting in a peculiar intimacy with these regions often avoided by others, as they may not seem appealing for leisure trips. Despite their reputation, the author argues that forgotten regions possess a strange charm, marked by bizarre and strong narratives that are not found in more developed areas.

The author contemplates the nature of their attraction to these places, suggesting it may stem from a mix of conviction and a lifelong obsession with returning to these unaltered landscapes, where change often appears to have taken a turn for the worse. Their passion for capturing the essence of these regions reflects a kind of masochism and a distorted aesthetic, driven by a desire to seek out a lost world. This exploration showcases the uniqueness of documentary photography that often arises from the margins of society.

Further, the article discusses the historical context in which notable documentary photographers created influential works on the peripheries of Europe, illustrating how these areas can represent the fractures of civilization and our collective failure to prevent their decline. By addressing these themes, the author questions when the critical turning point for these areas occurred and how societal neglect led to their current state. Ultimately, this exploration serves not only as a personal reflection but as a commentary on broader social issues influencing the regions that are often overlooked.