Canadian musician Seb McKinnon recently found himself in a perplexing situation when he discovered that Amber Glenn, an American figure skater, utilized his musical composition 'The Return' in her routine during the 2026 Milan Winter Olympics without seeking his permission. The incident has raised eyebrows regarding the practices surrounding music licensing at high-profile events like the Olympics, particularly concerning how artists' rights are managed on such global stages. McKinnon's reaction underscores the growing concerns among artists about the unauthorized use of their work and the potential implications this has for both creative rights and the integrity of the performance arts.

As the 2026 Winter Olympics approach, this controversy could set a precedent for how music usage is approached in competitive formats. McKinnon’s frustration reflects a broader issue within the entertainment industry where creators often struggle to have their rights respected in the face of larger commercial interests. It raises critical questions about the obligations of athletes and their choreographers to clear musical pieces, thereby contributing to an ongoing dialogue about intellectual property rights in the cultural and sporting landscape.

The incident could also serve as a wake-up call to Olympic organizers and participants alike, reminding them of the need for clear communication and adherence to legal frameworks regarding music licensing. The outcome of this situation may influence future cases of unauthorized music use and could lead to changes in how similar cases are addressed during the Olympics and other competitive arenas, potentially ensuring that artists receive due credit and compensation for their creations.